Montage From The Soviet Era Essay - 1353 Words

Montage The use of montage dates back to the days of Eisenstein and it has greatly transformed the film industry in several major ways. Montage has been used in the film industry to combine several series of short shots into a continuous film that can be watch by audience. This essay is aimed at illustrating the history of Montage from the Soviet era in the 1930s especially the use of the Soviet montage theory to better the quality of films that we watch today. The connotation of the word â€Å"montage† is also sometimes referred to as cutting in certain sectors of France (Eisenstein, 2010). This corroborates with the actual meaning and intentions behind montage in the film realm. This essay will also give the advantages that montage has in the film industry. Montage is a technique used when editing films originated back in the 1920’s. This method involves juxtaposing shots in a quick fashion. It compresses time thereby conveying information in a short duration of time. The Soviet montage theory in film emphasizes on the importance of editing when creating a film. Soviet filmmakers developed this theory, which revolves round the aspect of spatial matches; this technique incorporates discontinuity in graphic qualities and is consistently used in the Hollywood continuity system. It is often characterized by the use of temporal ellipses. Montages are as a result of collisions between different shots in order to convey the idea in the thesis of a film. Montages are based on theShow MoreRelatedLev Vladimirovich Kuleshov and The Moscow Film School Essay918 Words   |  4 Pagesfollowing a story their way and feeling it in those exact steps. Lev Vladimirovich Kuleshov a Soviet filmmaker and film theorist in the 1920s who taught at and helped establish the world’s first film school, the Moscow Film School. He was one of the very first film theorists and one the great pioneers of early editing regarded amongst worldwide filmmaker and he is famous for what became known as Soviet Montage. From Kuleshov perspective, the essences of the cinema was editing was the act of placing twoRead MoreVertov and Eisenstein Essay811 Words   |  4 Pagesvisions of cinema revolutionary? Soviet cinema has a significant contribution to the world’s film history. The years after the October Revolution in 1917 bring many economic difficulties and political changes to the newly formed USSR, which also affected film production. The nationalization of the film industry, Kuleshov experiments, and the support from the government mark some of the most important phases that influenced the progress and development of the Soviet film. Even though used as mediumRead MoreUnique Characteristics of Soviet Montage5818 Words   |  24 PagesSoviet Montage Unique Characteristics of Soviet Montage Unlike Montage where by a combination  series of short shots are edited into a sequence to condense space, time, and information, Soviet Montage on the other hand is a style of filmmaking that is evolved to immerse the audience in a story and disguise technique was turned upside down in order to create the opposite emotional effect to bring the audience to the edge of their seat, and in the case of the Odessa Steps sequence, to push the viewerRead MoreUnique Characteristics of Soviet Montage5818 Words   |  24 PagesSoviet Montage Unique Characteristics of Soviet Montage Unlike Montage where by a combination  series of short shots are edited into a sequence to condense space, time, and information, Soviet Montage on the other hand is a style of filmmaking that is evolved to immerse the audience in a story and disguise technique was turned upside down in order to create the opposite emotional effect to bring the audience to the edge of their seat, and in the case of the Odessa Steps sequence, to push the viewerRead MoreThe Emergence Of The Film Industry1426 Words   |  6 Pagescountries. France and Germany independently developed a robust studio system that made popular and innovative motion pictures. The United States imported a sizeable amount of foreign films to satisfy demand for novel entertainment. During the silent era, international distribution of films presented less of a problem than it would after the advent of sound; the use of intertitles meant that translation of a film to a foreign market involved only changing a few frames of text . Three factors contributedRead MoreFilm Review On The Film Cinema 1673 Words   |  7 Pagesjudged based on how the artist utilizes their specific technologies to effectively elicit an emotional response from or communicate a narrative to their viewer. Just because a film uses new and cutting-edge technology, it by no means indicates the film is of higher quality. While the linear progression of technology in film provided filmmakers with a wider variety of tools to choose from, it was and always has been the artist’s knowledge and ability to successfully and perspicaciously operate theRead MoreThe Artistic And Technical Aspects Of The s La Grande Illusion1404 Words   |  6 Pagesthe development of the cinematic genre now called the ‘French Poetic Realism’, unraveled in a French film sector battling for its place in a post-war world, in competition with the American and German industries. While the sector tried to recuperate from the strike of a chaotic poli tical and social environment, the increasing prevalence of smaller companies provided filmmakers such as Chenal, Vigo, Duvivier and Renoir with the necessary environment to experiment and produce creative works of art. GenerallyRead MoreFilm Analysis : Man With A Film Camera ( 1929 )2208 Words   |  9 Pagesreferred to as ‘montage’. This non-linear, reportorial documentary differs from the chronological, comedic narrative in Modern Times (1936) - a socio-economic commentary on the lives of the working class in 1930’s America. Often labelled a communist sympathiser, Chaplin’s political perspective is conveyed through his work using melodrama and slapstick humour. Although their styles vary, Vertov and Chaplin share an agenda for the implications of machinery on human livelihood in depression-era America andRead MoreMontage, An Original Film Style1943 Words   |  8 PagesMontage, a name synonymous with Editing, is an original film style with different te chniques used by the Soviet filmmakers between 1924 and 1930 to construct a film narrative. Montage is the connection between one shot and the other, a continuous or discontinuous relationship between shots. According to David Bordwell and Kristin Thompson (2012: 478), Soviet directors maintained that, â€Å"through editing, two shots give birth to a feeling or idea not present in either one†. This ‘feeling’ or ‘idea’Read MoreSocialist Realism, The Cherished Genre Of The Stalin Era1736 Words   |  7 Pagesthe Stalin era which brought random bits of musical joy to everyday Soviet life. During this period, only a select few films would get the pass for creation. This created a limited but precise pool of films that depict the ideals of the time. For a film to be considered of the Socialist Realist genre, a few key points should be displayed throughout the film. First, the characters must carry the philosophy of viewing their past and Russia’s past not just from where they stand now but from the certain